Giant robots started as alien threats or destructive weapons in pulp science fiction stories. This all changed in the sixties with Mitsuteru Yokoyama's Tetsujin 28 (literally Iron Man 28). In the West most people would more readily recognize the name of this robot as "Gigantor." This time the robot wasn't the villain, but a super hero, controlled by a young boy who worked to defeat evil robots and other various threats to peace. Thus Tetsujin 28 launched the genre we all know as giant, super robots.
In 2004 a 26 episode series was produced in the same vein as the original series. Unlike the 80's remake that I know and love which was more of a re-imagining of the original, this series would stick close to the original manga, and use all of the admittedly dated original designs and the original story. When Tetsujin 28 was originally brought to the States as Gigantor, the story was completely changed since it involved a post WWII Japan and didn't really show the West in a positive light.
The new Tetsujin 28 series makes it across the ocean in an era where we all have the Internet so you can't lie to us and we live in a culture where censorship isn't quite as prevalent as it used to be. As such it's untouched and in its original form. The story takes place in 1955, the end of American occupation and the start of Japan's rising new economy. It's interesting to watch this show simply because you're watching post WWII Japan from their perspective and you meet all sorts of characters with different ideologies about the war, and the new era of peace. Interestingly enough though, you never hear the word "atomic bomb" muttered even once though the bombings of Tokyo play a role in the story.
That post war theme is at the core of Tetsujin 28. The early episodes deal with Tetsujin's sudden appearance which explains how it was a secret Japanese weapon developed for use against the United States before the end of the war. At the same time new dastardly secrets and immorally created weapons of mass destruction are uncovered and while people debate over whether Tetsujin is an anachronistic weapon no longer needed in the current Japanese society or a tool that can help Japan's rise, it's put to use to put Japan's other dark secrets of WWII back to rest. The debate of what a weapon is, and if weapons can be used for good or evil purposes is also a major part of the story, and you get the feeling that they're probably talking about the atom bomb here. Japan is portrayed as a nation confused about it's identity, its place in the word, and it's people are justifiably afraid of weapons that could bring even more pain to their defeated country.
The hero is Shotaro Kaneda who is forced to control Tetsujin, the creation of a father that he never knew. Shotaro is portrayed as maybe a bit too perfect in terms of personality as he's a "genius boy detective." He is however, fallible, and makes rash decisions that a young and confused boy his age would make. Tetsujin is practically defeated as many times as he succeeds and Shotoro is locked in a constant moral struggle over whether Tetsujin should be used in combat at all. One thing he becomes certain about is that weapon or not, Tetsujin is the only thing that's left of his family. The supporting characters and villains are all excellent as well, constantly shifting sides and motives as situations change and battles are won and lost. The series is directed by Yasuhiro Imagawa who is also responsible for the anime classic Giant Robo which itself is nothing more but a gigantic tribute to Mitsuteru Yokoyama's creations, including Tetsujin 28. As such anime fans who have seen Giant Robo will see a lot of familiar faces in this, like the pink jacket and fedora wearing Kenji Murasame. The show moves at a decisively slower pace than Giant Robo, but much of the same melodramatic tone and insane plot twists that made Giant Robo so popular is present here. In fact you'll probably have a few deja vu moments in this if you've seen Giant Robo.
The animation style as mentioned before is a retro art design taken straight from the original from the 60's. I've heard a lot of complaints about this, but it's beautifully animated, and personally I prefer the cartoony old-style of anime to the generic look of today's shows. If you don't like the retro look then this will be a problem for you, but for me it's one of the reasons I wanted to see this series. Giant Robo has the same look, though it's not animated quite as well as that even though it's several years newer. They weren't trying to go over the top and I think they did a good job of keeping the classic integrity of the original.
The opening story arcs really set things up for things to come, with the first half of the show dealing with the secrets and tragedies from the war that are still lurking around, threatening to slow or stop the progress of post war Japan. The second half of the show deals with new threats, outside influence and competing economies with groups that threaten to reignite war, or possibly destroy the entire world itself with Japan's most secret of WWII weapons. The show lags a bit in the middle, with filler episodes that both introduce and kill a baddie in one half-hour. The show picks up again at the end and relentlessly throws drama onto poor Shotatro, perhaps a little too thickly. After that the plot twists and bends until it builds up to the final encounter, and the ultimate fate of Tetsujin.
If you're here for mindless giant robot action, there are better places to look. The action that we do get is excellent and well animated, but the action sequences are few and far between compared to some other shows. Tetsujin 28 is also from a time before robots had all sorts of powerful and exciting weapons so lots of hands on metal crunching is involved. The robots are also all admittedly ridiculous looking, including Tetsujin, but that's part of the charm especially when you consider these robots are being built in 1955 and they should look ridiculous.
It's not the greatest anime ever, but if you were a fan of Giant Robo you should find a lot to like here. It's a fitting tribute to the original boy and his robot show that was the basis of inspiration for an incalculable amount of fiction including things like the absolutely excellent Iron Giant. It's so important that Akira, one of the most important manga and anime works ever is basically one giant homage to Tetsujin 28. If you were ever wondering about the origin of giant robots but you find the old show a bit too corny to stomach this might be a good show to look at. The story that hooks you with its lovable characters, twisting plot line, and post WWII drama from the perspective of Japan was enough to keep me watching and the giant robots and science fiction themes just wound up being a nice bonus.
Even though it's slow at times I think this is a real A-list anime that everybody has overlooked because they want their shows with the generic mass produced modern look that made anime popular here in the United States, or maybe they just thought this was another generic mecha show. I think if it would've been shown on TV here that it probably would've gotten a cult following like The Big O. Either way it was enjoyable enough for me to marathon all day and even though I don't think it's as good as or as important as its predecessor, Giant Robo, the new Tetsujin 28 is a fitting tribute to its late creator, and a look at historical aspects of Japan that you don't often hear about, or want to hear about, here in the United States.
I give it an 8.5 out of 10
As a fan of anime mecha I have of course known of 2007's Tengen Toppa Gurren Lagann (TTGL from now on to save on typing) for some time now. It's been getting immensely popular, not just among fellow mecha fans but surprisingly among general anime fans. Whether that's a good thing or a bad thing I don't know. Mecha anime usually has its strict niche audience but TTGL has managed to transcend that subset of anime geeks.
ways a bad thing, and there's a lot of purposely inserted cliches in TTGL, but they've managed to make a show that's both absolutely absurd with lovable characters and a story that keeps you on the edge of your seat at the end of each episode.
